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Light On

Bending space and time with James Turrell on the eve of a new Colorado Skyspace

Journalists look at the light installati
Nigel Treblin
Bridget Bardo (2009)

Artist James Turrell and his installation "Raemar (1969) at the Whitney Museum.
Ted Thai
The artist with his work, Raemar (1969)

FOR MILLENNIA, humankind has looked up to the sky in fascination. Ancient civilizations built pyramids and stone observatories to track astronomical events, combining architecture, sculpture, and light to reveal celestial patterns and bring the cosmos down to earth. More recent architects of the Gothic period raised the ceilings of cathedrals higher and higher in their efforts to touch the heavens and fill their houses of worship with divine light. James Turrell continues this primordial interest in the spiritual and sublime qualities of light. A proponent of the Light and Space movement, he has spent his career shaping light through architectural and sculptural interventions that challenge the limits of human perception and bring the sky to our terrestrial space.

Over the past five decades, Turrell has expanded his art-making into twenty-two typologies, or series, spanning a variety of forms and ranging in scale from the monumental to the intimate. He is perhaps best known for his Skyspace series—constructed chambers each with a carefully cut and perfectly sharp rectilinear or elliptical aperture in the ceiling. These works can be singular constructions, built to the artist’s specifications, or made within existing spaces modified by Turrell, often combining natural light with carefully modulated artificial light that together heighten perceptions of even the most minute changes in the atmosphere. An experience in a Skyspace is unique to that moment in time, as each is responsive to and interacting with environmental conditions and atmospheric fluctuations. Quiet and contemplative, Turrell’s Skyspaces are portals to the sky and provide the sensation of being one with the universe.

Turrell’s largest Skyspace is also his longest running and most ambitious project. Begun in 1977, Roden Crater is a massive earthwork constructed within the eponymous volcanic cinder cone in the Painted Desert region of northern Arizona. Turrell has transformed the extinct volcano into a monumental, naked-eye observatory through a series of tunnels and apertures carved into the earth and opening to skies that—at an elevation of more than 5,000 feet—seem close enough to touch. The work is a masterpiece combining physical sciences with art and architecture. Built to last for hundreds of years to come, Roden Crater joins the permanence of geologic time with the ethereality of light and finds its place among the great monuments of civilization. Construction of the observatory continues, during which time it is closed to the public, however the basic principles of Roden Crater are present in each of his works to date. The artist’s legacy goes beyond his physical artworks—Turrell has changed the way we look at the sky and allowed us to view the world with renewed awe and wonderment.

Dr. Arnold is the assistant curator at the Nasher Sculpture Center in Dallas, Texas.

ART301443 sm
A Frontal Passage (1994). Courtesy of The Museum of Modern Art
'Beside Myself,' a 2017 piece by the light artist James Turrell, serves as a connecting tunnel to the new Pharos wing at the MONA, the Museum of Old and New Art, in Berriedale near Hobart, Tasmania.
Karsten Moran
Beside Myself (2017)

Skyspaces in the United States

Title To Be Determined (2021) Red Butte, Green Mountain Falls, Colorado

C.A.V.U. (2021) Massachusetts Museum of Contemporary Art, North Adams, Massachusetts

The Color Inside (2013) University of Texas at Austin

Greet the Light (2013) Chestnut Hill Meeting House, Philadelphia, Pennsylvania

La Brea Sky (2013) Kayne Griffin Corcoran Gallery, Los Angeles, California

Twilight Epiphany (2012) Rice University, Houston, Texas

Air Apparent (2012) Arizona State University, Tempe

Joseph’s Coat (2011) The John & Mable Ringling Museum of Art, Sarasota, Florida

The Way of Color (2009) Crystal Bridges Museum of American Art, Bentonville, Arkansas

Dividing the Light (2007) Benton Museum of Art, Pomona College, Claremont, California

Hard Scrabble Sky (2005) University of Illinois at Chicago

Sky Pesher (2005) Walker Art Center, Minneapolis, Minnesota

Three Gems (2005) de Young Museum, San Francisco, California

Light Reign (2003) Henry Art Gallery, University of Washington, Seattle

Knight Rise (2001) Scottsdale Museum of Contemporary Art, Arizona

One Accord (2001) Live Oak Friends Meeting House, Houston, Texas

Blue Pesher (1999) Cheekwood Estate and Gardens, Nashville, Tennessee

Meeting (1980) MoMA PS1, New York, New York

Open to the public.

GreenBoxTurrellWinterRendering
A rendering of the upcoming Skyspace in Green Mountain Falls, Colorado

Lightning in a Bottle

James Turrell is a visual artist who has incorporated light and space in his work for more than fifty years. Born May 6, 1943, in Los Angeles, California, Turrell is best known for his Skyspace installations, more than eighty around the world. Turrell is also a pilot with 12,000-plus hours in the sky. Turrell has received awards in architecture and art, including a Guggenheim Fellowship (1974), National Medal of Arts (2013), and Jefferson Medal in Architecture (2002).

Construction for the first Skyspace in Colorado is underway in Green Mountain Falls. Tucked into a butte among an aspen grove, this Skyspace is also the first to be constructed on the side of a mountain. A new trail will guide visitors on an easy hike directly to the permanent installation. The piece is owned by the Historic Green Mountain Falls Foundation and will open in fall 2021. greenboxarts.org

PRESCOTT, AZ SEPTEMBER 20: Michael Govan, director of the Los
Bonnie Jo Mount
Roden Crater (1974)
Cat Cairn 2003 Florian Holzherr
Florian Holzherr
Cat Cairn (1974)
Stone Sky 2005 Florian Holzherr copy
Florian Holzherr
Stone Sky (2005)
James Turrell
Lars Tunbjork
Turrell in Outsight Insight (2011) near Stockholm